From: Level42-request @ worldmachine.com (Level42 Digest)
Subject: Level42 Digest V2001 #5
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D I G E S T
Level42 Digest Volume 2001 : Issue 5
1386 subscribers
Today's topics:
Buongiorno Alberto Molaschi
Re: Level42 Digest V2001 #4 SED
Mike Lindup's New Album
Mike Lindup's New Album
Bands that sound like Level 42 Walter Franken
Mark's scar, TRIVIA QUESTION anselm_gaynor
Re: Scar Steve Robson
Stick grip, the world issue Joey Vela
Give the drummer some!! Anthony Richards
Re: Level42 Digest V2001 #4 Paul J. Bannerman
miscellaneous goldie100
AG...Man or Myth? & Video Compilations LaBossiere, David
Hey! Alex Humphries
Misc Stuff... Flucks
NOKIA RING TONES Simon Thorp
Trash Zippel, Erdmann
Y-Chromo CD's on demand Jake Smith
Innuendo Cliff & Debjani Barua
------------------------------
Subject: Buongiorno
From: "Alberto Molaschi"
Date: Fri, 05 Jan 2001 11:09:41
Hi everybody,
I am an Italian L42 fan since their early albums and still enjoying their
music. I'd like to know if there is a list of bootleg cd's or videos of
concerts, etc..
There is a very poor market here in Italy for L42 and wonder if you can help
me.
Thanks a word. Ciao
Get Your Private, Free
E-mail from MSN Hotmail at http://www.hotmail.com.
------------------------------
Subject: Re: Level42 Digest V2001 #4
From: "Laurence F. GREEN(SED)"
Date: Fri, 05 Jan 2001 11:18:13 +0000
Level42 @ worldmachine.com writes:
>+ Anyone heard an underground dance track released about 6
>months ago by 'King Rock' called 'The Most Fantastic Thing
>You've Ever Heard' which features a sample off the Physical
>Presence Live albumn when MK urges the audience to 'Pretend
>this is the most fantastic thing you've ever heard' - pretty
>damn good.
>
>++ A friend of mine who plays with Stuart Zendler (ex
>Jamiroquai) reckons MK's done vocals on a dance track
>floating around at the moment, could this be the start of a
>revival?
Dooh!! Is this a case of not being able to see what staring you in the face???
------------------------------------------------------
Laurence Green
Research Assistant
Sheffield Hallam University
School Of Environment and Development
City Campus
Advanced Construction Research, Room 302
Sheffield
S1 1WB
TEL: 0114 2253368
------------------------------
Subject: Mike Lindup's New Album
From: ""
Date: Fri, 05 Jan 2001 11:38:44
HI ALL, AND HAPPY NEW YEAR !
PLEASE, PLEASE CAN ANYONE TELL ME IF MIKE'S NEW CD WILL BE RELEASED IN
JANUARY FOR DEFINATE...? AS HIS WEBSITE IS DOWN AT THE MOMENT THERE ARE NO
VISIBLE UPDATES FOR INFORMATION. I HAVE WAITED PATIENTLY FOR SO LONG NOW
FOR THIS ALBUM.
THANKS
DEAN
_________________________________________________________________
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------------------------------
Subject: Mike Lindup's New Album
From: ""
Date: Fri, 05 Jan 2001 11:44:08
HI ALL, AND HAPPY NEW YEAR !
PLEASE, PLEASE CAN ANYONE TELL ME IF MIKE'S NEW CD WILL BE RELEASED IN
JANUARY FOR DEFINATE...? AS HIS WEBSITE IS DOWN AT THE MOMENT THERE ARE NO
VISIBLE UPDATES FOR INFORMATION. I HAVE WAITED PATIENTLY FOR SO LONG NOW
FOR THIS ALBUM.
THANKS
DEAN
P.S NOTHING MORE TO SAY is classic level 42 - I can't stop listening to it.
Why on earth did they not record this in the studio ?
_________________________________________________________________
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------------------------------
Subject: Bands that sound like Level 42
From: Walter Franken
Date: Fri, 5 Jan 2001 13:04:16 +0100
I was wondering which current bands/groups sound like Level 42. At the
moment, I only can come up with some work of Jamiroquai, which sounds like
Level 42 in the early days. Funky!
Any other suggestions?
Cheers,
Walter
------------------------------
Subject: Mark's scar, TRIVIA QUESTION
From: anselm_gaynor @ talk21.com
Date: Fri, 5 Jan 2001 12:36:29 GMT
In response to the person who asked about Mark's facial scar, apparently he was
bitten by a dog years ago, I think around the age of ten. This info comes from
the Level 42 biog, published around 1989. Anyone still got a copy?
PS TRIVIA TIME:
Why is the B-side of 'Heaven In My Hands' called 'Gresham Blues'...go on:
impress me with your L42 trivia knowledge please - gold star for the first right
answer.
Keep funkin'...
Anselm.
--------------------
talk21 your FREE portable and private address on the net at
http://www.talk21.com
------------------------------
Subject: Re: Scar
From: Steve Robson
Organization: Cadence Design Systems
Date: Fri, 05 Jan 2001 13:23:41 +0000
> Subject: - holy grail
> From: "bunty omar"
>
> Bollox to all this Jesus/war shite, the true holy grail grail, the
> unquestionable, the unobtainable truth must be, how did Mark get THAT
> scar?
I believe it was from a car crash he had. The bigger question is:
"What... is the air-speed velocity of an unladen swallow?" And don't
ask "African or European?" because I get flung into the abyss...
> Using a Macintosh?
Nope, I find an umbrella adequate.
Regards,
Steve
IT Support - UNIX Cadence Design Systems
Tel: +44 (0)1344 866523 Bagshot Road
Mobile: +44 (0)7901 855046 Bracknell BERKSHIRE
Fax: +44 (0)1344 866588 RG12 0PH UK
------------------------------
Subject: Stick grip, the world issue
From: Joey Vela
Date: Fri, 5 Jan 2001 09:12:00 -0600
> Urmm.... bollocks! That's simply not true. There are plenty of
> contemporary drummers, some of them hugely famous, who play trad grip, or
> both; and some old timers who use match grip.
> I know this is no big deal, but I get annoyed when this sort of comment
is
> made, and it isn't necessarily true.
Uh oh! I've obviously touched a nerve. This is getting good!
> How would I know? Because I've been a drummer for more than half my life
at
> 29, and I used to work in a very popular drum shop (Poole Percussion (in
> Poole, funnily enough!)) for 4 yrs+. During this time, I met quite a few
of
> the world's fave drummers as we held clinics with them from time to time.
> (I shan't name-drop... also, they change grip sometimes, too)
I was a classically-trained percussionist starting at age 11. I am now 32.
You do the math. I too have attended camps, clinics, seminars, and
consortiums, and I have met a few pretty famous drummers not to mention
world-class percussionists (I too shall not name-drop). There were a few
that played traditional grip exclusively and a few that interchanged.
However, the vast majority I've seen played matched grip.
> Nothing personal Joey, but I wish people wouldn't comment about stuff
unless
> they are an authority on the subject. I've seen/heard so many comments
from
> people about all kinds of things, which are sooo ill-informed. Trouble
is,
> unless somebody who knows better happens to notice the remark, and can be
> arsed to correct it, everyone who reads/hears it will then become wrongly
> informed and pass it on to others... They don't stand a chance!
I am SO glad that you are not making this personal (insert sarcasm here). I
don't claim to be an authority, but I have been around the instrument quite
long enough to make my own observation as well as an informed remark.
> That's why so many people in this world are terribly misinformed about
all
> kinds of very significant issues, such as..... I dunno.... AIDS for
> example. Or maybe some political issues, or anything.
> Somebody asks somebody who doesn't know, but they won't say, "Sorry, I
don't
> know.", they'd rather make something up and mislead the enquirer - who
says
> "Bloody hell, that's outrageous!" and then goes off in search of some
other
> poor ignoramus to tell all about it!
> (I'm not as wound up as I sound, I promise.... It's just one of my pet
hates
> :-)
Significant issues you say? Let's see....AIDS, traditional vs. matched
grip, politics... Maybe it's just me, but something just doesn't belong
here. As far as me making something up that was misleading, well, I guess
that I'm just not as qualified as you Stuart to talk about all things
percussion related. So sue me.
> Anyway, I didn't mean to pick on you, Joey - it was more the principle I
> wanted to highlite.
Well, as a matter of principle, I must retort. A little more background
here, Stuart. When I started playing, I was taught only matched grip. Why?
Because my teachers, like most in the modern age, realized that other than
the military marching drum, the whole of the percussion family of
instruments are played with matched grip, everything from marimba to
glockenspiel to timpani to double mallet orchestral bass drum, are all
played MATCHED grip. I simply wasn't taught traditional grip (I had to
learn it later), which BTW was invented centuries ago to compensate for the
slant of a drum as worn from an old over-the-shoulder military-style
marching drum sling (as opposed to a modern marching drum harness which
sits the drum upright), because it was considered an obsolete stryle. 90%
of today's marching band percussionists use matched grip but do
occasionally use traditional grip as a novelty. I know because I played in
marching bands for 7 years through high school and college, and I played in
a professional drum & bugle corps. Traditional grip makes for good "show
sticking" in a drum line. I teach private lessons at local high schools,
and I am often asked to teach traditional grip. I might agree to show the
students a couple of things, rudiments and such, using traditional grip,
but I won't teach them traditional grip. It's not necessary in this day and
age.
Some of the contemporary drummers who use traditional grip may do so
because there is good finger control in it, at least according to Carl
Palmer. Others, like Mike Shrieve, use traditional grip because that's
simply what they were taught from the beginning. My guess was that Mark
King uses matched grip because I don't believe he had any formal training
where he would have been taught traditional grip.
Anyway Stuart, you obviously know much more than I do about the subject. So
I'll just stand corrected.
TCOY,
Joey V
101010
2A
------------------------------
Subject: Give the drummer some!!
From: "Anthony Richards"
Date: Fri, 05 Jan 2001 10:36:20 -0500
With all this talk of drums and drummers, I thought I'd throw in my two
cents in regards to some essential (and just plain "funkay") recordings to
have in your cd collections.
Lenny White: I think Nigel mentioned "Present Tense" earlier. This is
indeed an excellent recording, featuring an incredible array of stellar
musicians (Marcus Miller, Bernard Wright, John Scofield, Chick Corea,
Victor Bailey and many others). Plus Lenny's cover of Bernard Wright's
"Who Do You Love" (w/ Chaka Khan on vocals and Michal Urbaniak on electic
vioin) is a killa!
I'd also like to recommend Lenny's most recent solo recording "Edge". Jazz
funk fusion with an attitude! Plus you gots to check out Lenny's cover of
Led Zepplin's "Kashmir", and a track called "If Six Was Four?". Also, big
props to the incredibly funky lead bassist Foley, who's also on this
recording. Foley's highest profile gig to date was as a member of Miles
Davis' band. Truly a bassist who is deserving of much more recognition, as
he has an incredibly funky and unique sound.
Finally, check out Lenny's "Venusian Summer" release from the seventies
(featuring among others David Sancious, Doug Rauch, Larry Coryell and Al
Dimeola among others). A classic jazz fusion recording.
I'd also like to mention another recording (previously mentioned here on
the Digest) called "Return Of The Headhunters" by The Headhunters (a group
brought to jazz funk fusion prominence by keyboard legend Herbie Hancock).
Drummer Mike Clarke's grooves are just so F-U-N-K-A-Y!! Plus, he's got a
killer drum sound. If you likes da funk, you gots to have this one. It's
off da hiz-ook!
Have a groovalacious weekend y'all.
Funky T
------------------------------
Subject: Re: Level42 Digest V2001 #4
From: "Paul J. Bannerman"
Date: Fri, 05 Jan 2001 11:18:45 -0500
Two of the most difficult drumming in a L42 tune, in my opinion, is Gresham
Blues (Staring at the Sun). Gary lays some serious half time double time
fills while maintaining a slow behind the beat groove. Serious playing -
on the money - solid.
The second is 'Over there'. What can I say . . . .
Paul Bannerman
\\\ -- ///
( @ @ )
-oOOO---(_)---OOOo-
Paul J. Bannerman
Home Telephone: (905) 507-GIGS Pager: (416) 295-9609
E-Mail: pauljbannerman @ yahoo.com Web Site: www.pauljbannerman.com
------------------------------
Subject: miscellaneous
From: "goldie100"
Date: Fri, 5 Jan 2001 16:57:31 -0000
WOW!!
L42 content has gone up by 100% (please, nobody correct me on
percentages,averages etc).
It was nice to see that someone got tons of replies RE "overtime". It's
great that people took the time to answer a new Digesters question.
When I first joined I asked what had been going on in the L42 camp and got
just one reply! (personal email) - thanks to David Cousins I managed to
become updated accordingly.
So, after a few queries to other Digesters, I am still in the total darkness
RE the whereabouts of the Devlins.
Anyone out there? (sorry, that's a Duran tune).
Cheers,
Lozzie xxx
------------------------------
Subject: AG...Man or Myth? & Video Compilations
From: "LaBossiere, David"
Date: Fri, 5 Jan 2001 09:54:37 -0800
I realize this is a real shocker...two posts in as many days...
Everyone take a deep breath...everything is going to be okay!
Okay now, move it along...there's nothing more to see here!!!
>From: "Andrew Goodwin"
>Dammit David, don't you know that every time a lurker comes out and
mentions
>my name they assume it's me under a pseudonym? How can you expect me to
>counter the growing body of opinion which doubts my existence?
(apologetically) So sorry! Should I apologize to me? or...?
We could further enliven and enhance their thought processes by
stipulating that you and I and Santa are all one!!! Besides if I
were the pseudo you, I would have responded to myself about the subject of
my original posting. That is unless you were pseudonymously pretentious.
Someone stole my dictionary, so I'm done!
>From: JandSNuckels @ webtv.net (Jason & Sherry Nuckels)
>...my vote for the most difficult Level 42 track to play on the drums would
be "The Return Of >The Handsome Rugged Man". The easiest: "Turn It On"
(Album version).
>From: alex.friesen @ sickkids.ca
>No single song comes to mind as the most difficult for drums. Phil has a
>distinct way of playing his hi-hat which is very difficult to emulate, but
he...
>From the Gary Husband period "If You Were Mine" is the most difficult
drum-wise. Gee, I
>wonder who wrote that one?
I will listen to these with a different ear now. Thanks!
>From: "brian bacon"
>Anyone remember the video to Overtime?
>Mark and Mike were after the same girl in a factory. Mike being the boss
and
>Mark being a lowly employee. It was quite funny. It may be on an Mpeg
>somewhere.
This probably has been asked before, but is there a compilation
available of all the music videos from the band
>From: Joey Vela
>I think that any of the Phil Gould Level 42 songs could be deemed
difficult...
>...but his groove is almost impossible to imitate....
nicely put! (I mean the whole expression, not just what I copied
above)
>A good example is "A Physical Presence"...
I love that tune!
>...try to play it with the same bump-&-grind sexual groove that Phil plays
but WITHOUT
>SLOWING DOWN. ...
Hand Check!
Peace out!
David LaBossiere, RCDD
Communications Distribution
Designer / Project Manager
Information Services Division
City of Santa Ana
------------------------------
Subject: Hey!
From: "Alex Humphries"
Date: Fri, 5 Jan 2001 18:26:31 -0000
Hey Levelheads!
I see their has been a lot of posts to do with that Overime thing, and some
one actually said something good about guarenteed! Finnaly, I still love
that album, I have, but not on CD )-: - so I am also looking for it. The
digest has been quite interesting rescently, and I'm looking forward to
listening to that 'theme to mageret' live.
see y'all...
..humph42...
ICQ: 65591880
web: www.level-42.co.uk
------------------------------
Subject: Misc Stuff...
From: "Flucks"
Date: Fri, 5 Jan 2001 10:49:12 -0800
Greetings all,
>I wondered, especially since I'm not a drummer, which L42 song
> would be categorized as the hardest song to play on drums.
Wow. That's a tough one. To be honest, being a drummer,
the drumming in 42 that I would consider to be the more challenging
would be Gary's. Don't get me wrong here as I am not slacking Phil
by any means! Phil's feel is unmistakable. Both of them play mainly
"open handed" with their left hand on the hi-hat and right on the snare
which is a stick position that makes a lot of sense to me. It's just a
challenge when you were taught to play with your right hand crossed
over and then try to change 15 years later. ANYWAY...sorry bout the
rant there. To answer your question David, one of the songs that I
viewed as having somewhat of a challenging drum part would be "Man".
It's got sections in 7/4 and some of Gary's fills, especially in the live
version,
are just fantastic. Also "If You Were Mine" with the drum solo towards
the end and "Over There" are equally pretty damn impressive!
>Any thoughts from those who beat it every so often?
Uh...I'm going to just leave this one alone. :)
As far as favourite or "funkiest" bassilnes go, the first that comes to mind
is the live version of "Micro Kid" on Past & Presence.
> it shouldn't be a surprise that he can play drums because his style of
> bass-playing is so percussive.
Yeah, I had a notion that Mark was a drummer the first time I heard
him play bass.
>As far as matched vs. traditional grip, I
>would assume that he plays matched grip because only Blackwatch -type
> military drummers and old-time jazz drummers use traditional grip.
Actually there are many modern drummers that play traditional grip.
Stewart Copeland is one of the more popular traditional grip players.
I pretty much assumed Mark played matched but I just wanted
to see if anyone knew for sure.
>We are not going to solve the two hundred year old problem of whether or
> not a deity exists here on the digest, so I don't think the thread should
continue.
Agreed!
>He replied that the Gretsch
> was Mark's own kit. So, I asked Mark about it and he said "Yeah, I wanted
a kit
> for the studio, and you have to get the best, don't you?"
Nice! I knew Mark would have a really nice kit and if it is infact Gretsch,
he does
indeed. Although I'm currently a DW player, one of my two dream kits that I
plan to own someday would be a late 70's Gretsch kit. The other being late
70's, early 80's Tama Superstar in a mahogony stain.
> Being a drummer myself, my vote for the most difficult Level 42 track
> to play on the drums would be "The Return Of The Handsome Rugged Man".
Also agreed as one of the more challenging drum parts.
> As for the grip subject, please see the
> video-documentary "The Pier: King of the Isle".
Is this a joke or does this actually exsist? What is it?
Thanks,
James
------------------------------
Subject: NOKIA RING TONES
From: "Simon Thorp"
Date: Fri, 05 Jan 2001 21:08:02 +0000
Dear All,
Hi there.
I will cut to the quick....
Huge fan..love all the websites.
fav track is leaving me now
Quick question for any of you out there...
Are there any ring tone sites available on the net where I can get any level
42 songs or does anyone know how to compose any level 42 songs (if there are
any) for a Nokia 3310 mobile phone ?
This would be the nuts of a ring tone and I would be eternally grateful if
anyone could shed some light on this matter.
Please email me at simon.thorp @ virgin.net
Cheers.
Si.
------------------------------
Subject: Trash
From: "Zippel, Erdmann"
Date: Fri, 5 Jan 2001 22:08:02 +0100
I just got the trash cd and .....the name sais it all.
I always thougt it couldn't get worse, but in the long decline after the
Goulds have left this is the lowest point.
So, i keep listening to the old stuff ( the first 5 albums ). Forget all the
rest, and no hope is left for better days.
Perhaps you folks like to crucify me now, but i do not think i'm standing
alone with my opinion.
And i'm still searching for some old live material.
C a n s o m e b o d y h e l p m e ?!
erdi
------------------------------
Subject: Y-Chromo CD's on demand
From: "Jake Smith"
Date: Fri, 05 Jan 2001 21:37:27 -0000
Hi Everybody,
Just a quick update to let everybody know that the album's on course for a
March release and I think its sounding super funky!!!
Also, I have decided that I will send out more free singles to anyone that
wants one. We have run out, but I will send out a copy of the four tracks in
a loose cover!(so I can't gaurantee that it will reach you in one
piece!)Thanks for the mentions to everybody, keep them coming we need your
support!
I have also updated the Y-Chromo Boyz web site with some additional
information, including pictures of the other band members, and a bit of
background stuff.The site will now be regulary updated - so keep checking.
The address again:
http://www.y-chromo-boyz.com
Please don't register for singles on this site however as the formmail
script isn't working properly yet.Instead if you want to register for a
single, follow this link:
http://www.funkrock1.demon.co.uk/Html/YCB_Index.htm
Thats all,back to the studio,
Cheers,
Phil - Y-Chromo Boyz
_________________________________________________________________________
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------------------------------
Subject: Innuendo
From: "Cliff & Debjani Barua"
Date: Fri, 5 Jan 2001 19:28:41 -0500
Innuendo was one of Freddie Mercury's final hurrahs on this fine Earth, but
9 years on, the Digest is full of them (including Alex's fine dig at AG).
To wit:
> Subject: Beating the drum of a different tune...
> From: "LaBossiere, David"
> Date: Wed, 3 Jan 2001 09:17:40 -0800
> Any thoughts from those who beat it every so often?
Well, David, unfortunately it's a necessary evil, especially when it's "that
time of the month" for the wife. Huh?? Drumming?? Oh, I don't know much
about that.
>Subject: Reissues at last!
>From: whip @ talk21.com
>Date: Thu, 4 Jan 2001 15:51:20 +00
>hi all,
> ... but the wife made me wait until xmas before i could get my hands on
them.
Now, this one was entirely too easy. Surely Alex or AG could derive a
response of vintage wit.
And now for something completely different:
>Subject: Drummers who have influenced Mark King
>From: "Anthony Richards"
>Date: Thu, 04 Jan 2001 10:28:26 -0500
>What up yo? Shout out to da international posse of Levelheads and
funkateers!!
OK, Funky T, you gotta finally own up. Are you the lost twin of Vanilla Ice
or Eminem?? And before anyone has a dig at me, I fully acknowledge the
great info that Tony posts on the Digest. Da man knows his shit!!! (Great
posts on Stanley Clark et al, and George Duke)
> Subject: when a knight won his spurs
> From: "Laurence F. GREEN(SED)"
> Date: Thu, 04 Jan 2001 10:55:51 +0000
> When a Knight Won His Spurs
As a West Ham fan, I beg that the Digest not have any mention of "Spurs".
To keep it relevant, I like the bassline in "Good Man In A Storm" and "True
Believers", and while there's no denying that Gary Husband is an exceptional
technical drummer, I preferred Phil's less mechanical drumming.
O.K., see you at the bar, join me for some Dutch courage, we'll discuss the
New Testament, blah, blah, blah. Actually, I've had enough of this "see you
at the bar". Let's change it to "see you at Bahrain" or "see you at
Barcelona" (you see, my post is nicely wrapped up with another Freddie
Mercury reference).
Cliff Barua - Toronto